CUBISM Meaning and
Definition
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Cubism is an influential art movement that emerged in the early 20th century, primarily associated with the works of Pablo Picasso and Georges Braque. It is characterized by a radical departure from traditional artistic techniques, aiming to represent subjects from multiple viewpoints simultaneously, breaking away from the constraints of traditional perspective and realistic representation.
At its core, cubism sought to portray the multidimensionality of objects and subjects by breaking them down into geometric forms, such as cubes, cones, and cylinders. These fragmented shapes were then reassembled to create a new vision of reality, one that challenged the viewer to mentally piece together the different angles and facets. Cubist artworks often appear as if the subject has been fractured and laid out on a flat surface, in an abstract and non-representational manner.
The movement was not solely limited to painting, as it also influenced sculpture, literature, and architecture. It revolutionized artistic conventions, opening doors for experimentation and paving the way for future developments in abstract and non-objective art. The impact of cubism on the art world cannot be overstated, as it not only marked a profound shift in artistic style, but also challenged the very concept of representation and perception.
Today, cubism is regarded as a significant milestone in the history of art, embodying the avant-garde spirit of the early 20th century through its innovative and unconventional approach to depicting the world.
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Etymology of CUBISM
The word "cubism" is derived from the French term "cubisme", which was coined by art critic Louis Vauxcelles in 1908. Vauxcelles used this term to describe Georges Braque and Pablo Picasso's innovative art style, characterized by the use of geometric forms and the fragmentation of objects into multiple viewpoints. The term "cubisme" referred to the emphasis on geometric cubes and the geometric nature of the forms used in their paintings and sculptures. It is believed that Vauxcelles initially used the term in a derogatory sense, but it eventually became widely adopted to describe this groundbreaking artistic movement.
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