How Do You Spell FRANK DE VOL?

Pronunciation: [fɹˈaŋk də vˈɒl] (IPA)

Frank De Vol is a composer and arranger best known for his work in film and television. The correct spelling of his name can be confusing due to the combination of different consonants and vowel sounds. Using the International Phonetic Alphabet (IPA), the spelling of his name can be broken down as: /fræŋk də vɒl/. This represents the pronunciation of each sound in his name, including the silent "e" at the end of "De" and the long "o" sound in "Vol". Remembering the correct spelling can be achieved through practice and familiarity with the IPA system.

FRANK DE VOL Meaning and Definition

  1. Frank De Vol was an American music composer, arranger, and conductor who was prominent during the mid-20th century. Born on September 20, 1911, in Moundsville, West Virginia, De Vol developed a versatile career in the music industry, spanning several decades and genres. He is primarily known for his contributions to film and television scores, as well as his work as an arranger for various recording artists.

    De Vol's distinctive musical style was characterized by his ability to create memorable melodies and his skillful orchestration. His compositions often conveyed a sense of emotion and were tailored to suit the mood and narrative of the films and shows he worked on. Some of his most renowned works include the theme songs for popular television series such as "The Brady Bunch" and "My Three Sons."

    Throughout his career, De Vol amassed a significant body of work, composing and arranging for numerous films, including "Pillow Talk" (1959), "Guess Who's Coming to Dinner" (1967), and "The Dirty Dozen" (1967), among others. In addition to his work in Hollywood, De Vol also arranged and conducted for several renowned recording artists, including Ella Fitzgerald, Doris Day, and Nat King Cole.

    Frank De Vol's contributions to the music industry are highly regarded, earning him multiple accolades, including four Grammy Awards. His ability to craft music that seamlessly complemented visuals and narratives has solidified his place as a respected and influential figure in the world of film and television composition.