The spelling of the word "Fa La" can be explained using the International Phonetic Alphabet (IPA). The first syllable "Fa" is pronounced as /fɑː/, with the symbol /ɑː/ representing a long, open back vowel. The second syllable "La" is pronounced as /lɑː/, with the symbol /l/ representing a voiced alveolar lateral consonant and /ɑː/ representing the same open back vowel as in the first syllable. Together, the two syllables create a musical phrase commonly heard in holiday carols.
Fa la is a musical term that originated in the 16th century, specifically during the Renaissance period. It is used to refer to a type of vocal ornamentation or embellishment commonly found in vocal music composed during this era. The term "fa la" is derived from the solfège syllables used in music education, where "fa" represents the fourth note of the diatonic scale.
In vocal music, particularly madrigals or polyphonic songs, the "fa la" is a repetitive and melodic phrase sung on meaningless syllables like "fa la la" or "fa la la la." It is typically sung in a light-hearted and joyful manner, adding a sense of playfulness and charm to the musical composition. The "fa la" section often occurs at the end of a stanza or verse, serving as a pleasant melodic interlude or a contrasting element in the overall structure of the piece.
The purpose of including a "fa la" section in vocal music is primarily aesthetic, as it provides an opportunity for singers to showcase their skill in executing intricate melodic patterns and harmonies. Furthermore, the repeatability of the phrase allows for audience participation, as they can join in and sing along with the performers. The use of "fa la" also contributes to the lively and festive atmosphere often associated with Renaissance vocal music, enhancing its overall impact and entertainment value.
The term "fa la" has its roots in Italian music and dates back to the late Renaissance and Baroque periods. It originated as a part of the vocal music style known as madrigals, which were popular in the late 16th and early 17th centuries.
In madrigals, "fa la" is used as a meaningless syllable, similar to nonsense words or vocal ornaments, to create a lively and playful effect. It is often sung as a repeated phrase in the refrain of a song or as a vocal imitation of musical instruments.
The specific etymology of "fa la" is uncertain, as it has no direct translation or inherent meaning in Italian. Some scholars suggest that it may have emerged from the medieval Latin expression "fala dulcis" or "dulce fala", which loosely translates to "sweet phrasing" or "sweet nonsensical syllables".